Canto & Chapters
Creation of the Fourth Order (31 Chapters)
Chapter 160v
Genealogical Table of the Daughters of Manu
Chapter 234v
Dakṣa Curses Lord Śiva
Chapter 323v
Talks Between Lord Śiva and Satī
Chapter 434v
Satī Quits Her Body
Chapter 526v
Frustration of the Sacrifice of Dakṣa
Chapter 650v
Brahmā Satisfies Lord Śiva
Chapter 761v
The Sacrifice Performed by Dakṣa
Chapter 881v
Dhruva Mahārāja Leaves Home for the Forest
Chapter 963v
Dhruva Mahārāja Returns Home
Chapter 1028v
Dhruva Mahārāja’s Fight with the Yakṣas
Chapter 1135v
Svāyambhuva Manu Advises Dhruva Mahārāja to Stop Fighting
Chapter 1251v
Dhruva Mahārāja Goes Back to Godhead
Chapter 1346v
Description of the Descendants of Dhruva Mahārāja
Chapter 1444v
The Story of King Vena
Chapter 1525v
King Pṛthu’s Appearance and Coronation
Chapter 1627v
Praise of King Pṛthu by the Professional Reciters
Chapter 1734v
Mahārāja Pṛthu Becomes Angry at the Earth
Chapter 1830v
Pṛthu Mahārāja Milks the Earth Planet
Chapter 1941v
King Pṛthu’s One Hundred Horse Sacrifices
Chapter 2037v
Lord Viṣṇu’s Appearance in the Sacrificial Arena of Mahārāja Pṛthu
Chapter 2151v
Instructions by Mahārāja Pṛthu
Chapter 2263v
Pṛthu Mahārāja’s Meeting with the Four Kumāras
Chapter 2337v
Mahārāja Pṛthu’s Going Back Home
Chapter 2476v
Chanting the Song Sung by Lord Śiva
Chapter 2558v
The Descriptions of the Characteristics of King Purañjana
Chapter 2624v
King Purañjana Goes to the Forest to Hunt, and His Queen Becomes Angry
Chapter 2730v
Attack by Caṇḍavega on the City of King Purañjana; the Character of Kālakanyā
Chapter 2864v
Purañjana Becomes a Woman in the Next Life
Chapter 2974v
Talks Between Nārada and King Prācīnabarhi
Chapter 3049v
The Activities of the Pracetās
Chapter 3131v
Nārada Instructs the Pracetās
Canto 4, Chapter 8
Dhruva Mahārāja Leaves Home for the Forest
Verse 53 (SB 4.8.53)
SB 4.8.53 • मूल श्लोक
जपश्च परमो गुह्य: श्रूयतां मे नृपात्मज । यं सप्तरात्रं प्रपठन्पुमान् पश्यति खेचरान् ॥ ५३ ॥
Transliteration
japaś ca paramo guhyaḥ śrūyatāṁ me nṛpātmaja yaṁ sapta-rātraṁ prapaṭhan pumān paśyati khecarān
Synonyms (Word-for-Word)
japaḥ ca — the chanting mantra in this connection; paramaḥ — very, very; guhyaḥ — confidential; śrūyatām — please hear; me — from me; nṛpa-ātmaja — O son of the King; yam — which; sapta-rātram — seven nights; prapaṭhan — chanting; pumān — a person; paśyati — can see; khe-carān — human beings who travel in space.
Translation
“O son of the King, now I shall speak unto you the mantra which is to be chanted with this process of meditation. One who carefully chants this mantra for seven nights can see the perfect human beings flying in the sky.”
Bhaktivedanta Purport
By Śrīla PrabhupādaWithin this universe there is a planet called Siddhaloka. The inhabitants of Siddhaloka are by nature perfect in the yoga achievements, which are of eight varieties: one can become smaller than the smallest, lighter than the lightest, or bigger than the biggest; one can immediately get whatever he likes, one can even create a planet, etc. These are some of the yogic perfections. By virtue of the laghimā-siddhi, or purificatory process to become lighter than the lightest, the inhabitants of Siddhaloka can fly in the sky without airplanes or airships. It is hinted herein by Nārada Muni to Dhruva Mahārāja that by meditating upon the transcendental form of the Lord and at the same time chanting the mantra one becomes so perfect within seven days that he can see the human beings who fly in the sky. Nārada Muni uses the word japaḥ, which indicates that the mantra to be chanted is very confidential. One may ask, “If it is confidential, why is it mentioned in the writing of Śrīmad-Bhāgavatam?” It is confidential in this sense: one may receive a published mantra anywhere, but unless it is accepted through the chain of disciplic succession, the mantra does not act. It is said by authoritative sources that any mantra chanted without having been received from the disciplic succession has no efficacy.
Another point established in this verse is that meditation should be carried on with the chanting of a mantra. Chanting of the Hare Kṛṣṇa mantra is the easiest process of meditation in this age. As soon as one chants the Hare Kṛṣṇa mantra, he sees the forms of Kṛṣṇa, Rāma and Their energies, and that is the perfect stage of trance. One should not artificially try to see the form of the Lord while chanting Hare Kṛṣṇa, but when the chanting is performed offenselessly the Lord will automatically reveal Himself to the view of the chanter. Therefore the chanter has to concentrate on hearing the vibration, and without extra endeavor on his part, the Lord will automatically appear.