Canto & Chapters
Creation of the Fourth Order (31 Chapters)
Chapter 160v
Genealogical Table of the Daughters of Manu
Chapter 234v
Dakṣa Curses Lord Śiva
Chapter 323v
Talks Between Lord Śiva and Satī
Chapter 434v
Satī Quits Her Body
Chapter 526v
Frustration of the Sacrifice of Dakṣa
Chapter 650v
Brahmā Satisfies Lord Śiva
Chapter 761v
The Sacrifice Performed by Dakṣa
Chapter 881v
Dhruva Mahārāja Leaves Home for the Forest
Chapter 963v
Dhruva Mahārāja Returns Home
Chapter 1028v
Dhruva Mahārāja’s Fight with the Yakṣas
Chapter 1135v
Svāyambhuva Manu Advises Dhruva Mahārāja to Stop Fighting
Chapter 1251v
Dhruva Mahārāja Goes Back to Godhead
Chapter 1346v
Description of the Descendants of Dhruva Mahārāja
Chapter 1444v
The Story of King Vena
Chapter 1525v
King Pṛthu’s Appearance and Coronation
Chapter 1627v
Praise of King Pṛthu by the Professional Reciters
Chapter 1734v
Mahārāja Pṛthu Becomes Angry at the Earth
Chapter 1830v
Pṛthu Mahārāja Milks the Earth Planet
Chapter 1941v
King Pṛthu’s One Hundred Horse Sacrifices
Chapter 2037v
Lord Viṣṇu’s Appearance in the Sacrificial Arena of Mahārāja Pṛthu
Chapter 2151v
Instructions by Mahārāja Pṛthu
Chapter 2263v
Pṛthu Mahārāja’s Meeting with the Four Kumāras
Chapter 2337v
Mahārāja Pṛthu’s Going Back Home
Chapter 2476v
Chanting the Song Sung by Lord Śiva
Chapter 2558v
The Descriptions of the Characteristics of King Purañjana
Chapter 2624v
King Purañjana Goes to the Forest to Hunt, and His Queen Becomes Angry
Chapter 2730v
Attack by Caṇḍavega on the City of King Purañjana; the Character of Kālakanyā
Chapter 2864v
Purañjana Becomes a Woman in the Next Life
Chapter 2974v
Talks Between Nārada and King Prācīnabarhi
Chapter 3049v
The Activities of the Pracetās
Chapter 3131v
Nārada Instructs the Pracetās
Canto 4, Chapter 12

Dhruva Mahārāja Goes Back to Godhead

Verse 49 (SB 4.12.49-50)
SB 4.12.49-50 • मूल श्लोक

पौर्णमास्यां सिनीवाल्यां द्वादश्यां श्रवणेऽथवा । दिनक्षये व्यतीपाते सङ्‌क्रमेऽर्कदिनेऽपि वा ॥ ४९ ॥ श्रावयेच्छ्रद्दधानानां तीर्थपादपदाश्रय: । नेच्छंस्तत्रात्मनात्मानं सन्तुष्ट इति सिध्यति ॥ ५० ॥

Transliteration

paurṇamāsyāṁ sinīvālyāṁ dvādaśyāṁ śravaṇe ’thavā dina-kṣaye vyatīpāte saṅkrame ’rkadine ’pi vāśrāvayec chraddadhānānāṁ tīrtha-pāda-padāśrayaḥ necchaṁs tatrātmanātmānaṁ santuṣṭa iti sidhyati

Synonyms (Word-for-Word)

paurṇamāsyām — on the full-moon day; sinīvālyām — on the dark-moon day; dvādaśyām — on the day after Ekādaśī; śravaṇe — during the Śravaṇa star’s appearance; athavā — or; dina-kṣaye — at the end of the tithi; vyatīpāte — a particular day of the name; saṅkrame — at the end of the month; arkadine — on Sunday; api — also; vā — or; śrāvayet — one should recite; śraddadhānānām — to a receptive audience; tīrtha-pāda — of the Supreme Personality of Godhead; pada-āśrayaḥ — taken shelter of the lotus feet; na icchan — without desiring remuneration; tatra — there; ātmanā — by the self; ātmānam — the mind; santuṣṭaḥ — pacified; iti — thus; sidhyati — becomes perfect.

Translation

“Persons who have completely taken shelter of the lotus feet of the Lord should recite this narration of Dhruva Mahārāja without taking remuneration. Specifically, recitation is recommended on the full-moon or dark-moon day, on the day after Ekādaśī, on the appearance of the Śravaṇa star, at the end of a particular tithi, or the occasion of Vyatīpāta, at the end of the month, or on Sunday. Such recitation should of course be performed before a favorable audience. When recitation is performed this way, without professional motive, the reciter and audience become perfect.”

Bhaktivedanta Purport

By Śrīla Prabhupāda
Professional reciters may ask money to extinguish the blazing fire within their bellies, but they cannot make any spiritual improvement or become perfect. It is therefore strictly forbidden to recite Śrīmad-Bhāgavatam as a profession to earn a livelihood. Only one who is completely surrendered at the lotus feet of the Supreme Personality of Godhead, depending fully on Him for personal maintenance or even for maintenance of his family, can attain perfection by recitation of Śrīmad-Bhāgavatam, which is full of narrations of the pastimes of the Lord and His devotees. The process can be summarized as follows: the audience must be faithfully receptive to the Bhāgavata message, and the reciter should completely depend on the Supreme Personality of Godhead. Bhāgavata recitation must not be a business. If done in the right way, not only does the reciter achieve perfect satisfaction, but the Lord also is very satisfied with the reciter and the audience, and thus both are liberated from material bondage simply by the process of hearing.