Canto & Chapters
Creation of the Fourth Order (31 Chapters)
Chapter 160v
Genealogical Table of the Daughters of Manu
Chapter 234v
Dakṣa Curses Lord Śiva
Chapter 323v
Talks Between Lord Śiva and Satī
Chapter 434v
Satī Quits Her Body
Chapter 526v
Frustration of the Sacrifice of Dakṣa
Chapter 650v
Brahmā Satisfies Lord Śiva
Chapter 761v
The Sacrifice Performed by Dakṣa
Chapter 881v
Dhruva Mahārāja Leaves Home for the Forest
Chapter 963v
Dhruva Mahārāja Returns Home
Chapter 1028v
Dhruva Mahārāja’s Fight with the Yakṣas
Chapter 1135v
Svāyambhuva Manu Advises Dhruva Mahārāja to Stop Fighting
Chapter 1251v
Dhruva Mahārāja Goes Back to Godhead
Chapter 1346v
Description of the Descendants of Dhruva Mahārāja
Chapter 1444v
The Story of King Vena
Chapter 1525v
King Pṛthu’s Appearance and Coronation
Chapter 1627v
Praise of King Pṛthu by the Professional Reciters
Chapter 1734v
Mahārāja Pṛthu Becomes Angry at the Earth
Chapter 1830v
Pṛthu Mahārāja Milks the Earth Planet
Chapter 1941v
King Pṛthu’s One Hundred Horse Sacrifices
Chapter 2037v
Lord Viṣṇu’s Appearance in the Sacrificial Arena of Mahārāja Pṛthu
Chapter 2151v
Instructions by Mahārāja Pṛthu
Chapter 2263v
Pṛthu Mahārāja’s Meeting with the Four Kumāras
Chapter 2337v
Mahārāja Pṛthu’s Going Back Home
Chapter 2476v
Chanting the Song Sung by Lord Śiva
Chapter 2558v
The Descriptions of the Characteristics of King Purañjana
Chapter 2624v
King Purañjana Goes to the Forest to Hunt, and His Queen Becomes Angry
Chapter 2730v
Attack by Caṇḍavega on the City of King Purañjana; the Character of Kālakanyā
Chapter 2864v
Purañjana Becomes a Woman in the Next Life
Chapter 2974v
Talks Between Nārada and King Prācīnabarhi
Chapter 3049v
The Activities of the Pracetās
Chapter 3131v
Nārada Instructs the Pracetās
Canto 4, Chapter 6

Brahmā Satisfies Lord Śiva

Verse 38 (SB 4.6.38)
SB 4.6.38 • मूल श्लोक

कृत्वोरौ दक्षिणे सव्यं पादपद्मं च जानुनि । बाहुं प्रकोष्ठेऽक्षमालाम् आसीनं तर्कमुद्रया ॥ ३८ ॥

Transliteration

kṛtvorau dakṣiṇe savyaṁ pāda-padmaṁ ca jānuni bāhuṁ prakoṣṭhe ’kṣa-mālām āsīnaṁ tarka-mudrayā

Synonyms (Word-for-Word)

kṛtvā — having placed; ūrau — thigh; dakṣiṇe — at the right; savyam — the left; pāda-padmam — lotus feet; ca — and; jānuni — on his knee; bāhum — hand; prakoṣṭhe — in the end of the right hand; akṣa-mālām — rudrākṣa beads; āsīnam — sitting; tarka-mudrayā — with the mudrā of argument.

Translation

“His left leg was placed on his right thigh, and his left hand was placed on his left thigh. [This sitting posture is called vīrāsana.] In his right hand he held rudrākṣa beads, and his finger was in the mode of argument.”

Bhaktivedanta Purport

By Śrīla Prabhupāda
The sitting posture described herein is called vīrāsana according to the system of aṣṭāṅga-yoga performances. In the performance of yoga there are eight divisions, such as yama and niyama — controlling, following the rules and regulations, then practicing the sitting postures, etc. Besides vīrāsana there are other sitting postures, such as padmāsana and siddhāsana. Practice of these āsanas without elevating oneself to the position of realizing the Supersoul, Viṣṇu, is not the perfectional stage of yoga. Lord Śiva is called yogīśvara, the master of all yogīs, and Kṛṣṇa is called yogeśvara. Yogīśvara indicates that no one can surpass the yoga practice of Lord Śiva, and yogeśvara indicates that no one can surpass the yogic perfection of Kṛṣṇa. Another significant word is tarka-mudrā. This indicates that the fingers are opened and the second finger is raised, along with the arm, to impress the audience with some subject matter. This is actually a symbolic representation.