Canto & Chapters
General History (31 Chapters)
Chapter 130v
Chapter 1
Chapter 230v
Chapter 2
Chapter 330v
Chapter 3
Chapter 430v
Chapter 4
Chapter 530v
Chapter 5
Chapter 630v
Chapter 6
Chapter 730v
Chapter 7
Chapter 830v
Chapter 8
Chapter 930v
Chapter 9
Chapter 1030v
Chapter 10
Chapter 1130v
Chapter 11
Chapter 1230v
Chapter 12
Chapter 1330v
Chapter 13
Chapter 1430v
Chapter 14
Chapter 1530v
Chapter 15
Chapter 1630v
Chapter 16
Chapter 1730v
Chapter 17
Chapter 1830v
Chapter 18
Chapter 1930v
Chapter 19
Chapter 2030v
Chapter 20
Chapter 2130v
Chapter 21
Chapter 2230v
Chapter 22
Chapter 2330v
Chapter 23
Chapter 2430v
Chapter 24
Chapter 2530v
Chapter 25
Chapter 2630v
Chapter 26
Chapter 2730v
Chapter 27
Chapter 2830v
Chapter 28
Chapter 2930v
Chapter 29
Chapter 3030v
Chapter 30
Chapter 3130v
Chapter 31
Canto 11, Chapter 21
Chapter 21
Verse 36 (SB 11.21.36)
SB 11.21.36 • मूल श्लोक
शब्दब्रह्म सुदुर्बोधं प्राणेन्द्रियमनोमयम् । अनन्तपारं गम्भीरं दुर्विगाह्यं समुद्रवत् ॥ ३६ ॥
Transliteration
śabda-brahma su-durbodhaṁ prāṇendriya-mano-mayam ananta-pāraṁ gambhīraṁ durvigāhyaṁ samudra-vat
Synonyms (Word-for-Word)
śabda-brahma — the transcendental sound of the Vedas; su-durbodham — extremely difficult to comprehend; prāṇa — of the vital air; indriya — senses; manaḥ — and mind; mayam — manifesting on the different levels; ananta-pāram — without limit; gambhīram — deep; durvigāhyam — unfathomable; samudra-vat — like the ocean.
Translation
“The transcendental sound of the Vedas is very difficult to comprehend and manifests on different levels within the prāṇa, senses and mind. This Vedic sound is unlimited, very deep and unfathomable, just like the ocean.”
Bhaktivedanta Purport
By Śrīla PrabhupādaAccording to Vedic knowledge, the Vedic sound is divided into four phases, which can be understood only by the most intelligent brāhmaṇas. This is because three of the divisions are internally situated within the living entity and only the fourth division is externally manifested, as speech. Even this fourth phase of Vedic sound, called vaikharī, is very difficult to understand for ordinary human beings. Śrīla Viśvanātha Cakravartī Ṭhākura explains these divisions as follows. The prāṇa phase of Vedic sound, known as parā, is situated in the ādhāra-cakra; the mental phase, known as paśyantī, is situated in the area of the navel, on the maṇipūraka-cakra; the intellectual phase, known as madhyamā, is situated in the heart area, in the anāhata-cakra. Finally, the manifest sensory phase of Vedic sound is called vaikharī.
Such Vedic sound is ananta-pāra because it comprehends all vital energies within the universe and beyond and is thus undivided by time or space. Actually, Vedic sound vibration is so subtle, unfathomable and deep that only the Lord Himself and His empowered followers such as Vyāsa and Nārada can understand its actual form and meaning. Ordinary human beings cannot comprehend all of the intricacies and subtleties of Vedic sound, but if one takes to Kṛṣṇa consciousness one can immediately understand the conclusion of all Vedic knowledge, namely Lord Kṛṣṇa Himself, the original source of Vedic knowledge. Foolish persons devote their vital air, senses and mind to sense gratification and thus do not understand the transcendental value of the holy name of God. Ultimately, the essence of all Vedic sound is the holy name of the Supreme Lord, which is not different from the Lord Himself. Since the Lord is unlimited, His holy name is equally unlimited. No one can understand the transcendental glories of the Lord without the Lord’s direct mercy. By offenselessly chanting the holy names Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare, one can enter into the transcendental mysteries of Vedic sound. Otherwise the knowledge of the Vedas will remain durvigāhyam, or impossible to penetrate.